Produced by
Richard Gottenhrer for Private Stock Records, he took their punk background and
complemented it with a hint of 1950s sensibility. It’s an odd combination on
paper but comes to brilliant life on record.
Armed and
ready right out of the gate, their first track and first single is “X
Offender,” retitled from “Sex Offender” and not a favorite of commercial radio
at the time due to its title and subject material. Penned by Gary Valentine and
Debbie Harry, this is classic Blondie, and Harry is not afraid to sing
controversial lyrics with self-confidence and a sneer.
Harry’s
perception of women is showcased in “Little Girl Lies” with the title's play on words
and triple meaning (at least). “Rip Her to Shreds,” the LP’s third single, is a more
direct approach, and her cold voice is delicious.
Jimmy Destri
showcases his love of keyboards and ethereal lyrics in “Look Good in Blue” and
“A Shark in Jets Clothing.” The latter is clearly inspired by West Side Story, complete with finger snaps.
Chris Stein
contributes “In the Sun” which is ready for any day at the beach. Stein’s
“The Attack of the Giant Ants” lets us know that Blondie does not really take
themselves or the business too seriously.
Harry and
Stein share songwriting talents on the sole ballad and second single “In The
Flesh.” It is a beautiful tune, but she sings with irony and distance, letting
us know she is not a girl to be messed with.
The unique and undeniable percussion talents of Clem Burke is evident on every song here, and he will continue to get even better.
The unique and undeniable percussion talents of Clem Burke is evident on every song here, and he will continue to get even better.
Blondie will
go through some personal and musical changes, but for now their impressive
first album is a great start and a greater sign of things to come.
2 comments:
Perfect summation of a great album
Thank you, Jason!
Post a Comment