Monday, October 31, 2016

"The Shopper" the second in a Series by Paul McCarthy & Scott Forrest-Allen


(READER DISCRETION IS ADVISED.)

“The Shopper”
by
Paul McCarthy & Scott C. Forrest-Allen

It’s that time of the year again, I thought to myself.
Christmas time…and I’m sick of hearing the same music over and over again
and again.  My mom starts playing Christmas music in October!  It’s driving me nuts: listening to the same songs, by the same people, in the morning on the way to school; back home after school. All because I don’t have a license.  And the worst song of all –
“It’s The Most Wonderful Time of the Year.” No, it isn’t! YUCK!
       
            Well, it’s the night before Christmas Eve, and today my mom told me she would drive me to

the mall tonight so I can go Christmas shopping with her.  My CD player broke yesterday (I think it

was that brat that my sister hangs around with; it wouldn’t be the first thing of mine that that little

demon broke).  

           I really hope I can get my hands on something to drown out that God-awful Christmas music

that I’m tormented with every year.  I hope the mall won’t be too crazy, I heard that an elderly woman

was taken to the hospital last year as a result of the Christmas Eve chaos. 

        “Peace on Earth, and good will toward men” my ass.  It’s the price to pay to spread the

“Christmas cheer” I suppose. I hope getting myself my new CD player will make me feel better.
“Stop it!” I yelled at Patty in the back seat.
“If you two don’t stop it…” my mother began. ” May, set a good example for your younger sister.”
Patty couldn’t get the stupid grin off her face. If she only knew what I was thinking…        
The mall was so much more crowded than I had expected; as if everyone had just looked at their calendars that morning and realized what day it was.
         
            “Now girls,” started my mother. Oh, how I hated it when she called me a “girl.”

            “Yes, mother dear,” I replied.

            “You watch your tone, young lady.” Out of the corner of my eye, I could see Patty smirking.

            “I need to do some errands. I’ll meet you both back here in one hour.”

            “But, mom…” I pleaded.

            “And make sure your cell phone is on – just in case,” continued my mother, ignoring me.

“Now, you girls have fun! One hour!”

            I checked my digital watch. It was 6:42PM. Okay. 8PM was close enough to one hour from then.

           And off she went into the sea of faceless strangers. It was as if a wave had just carried her in

its crest.

            “I have to go the baffroom,” announced Patty. Great. Her nagging was starting already.

            “Fine.” The sooner we go “the baffroom,” the sooner we can go shopping for my new CD player. 
That’s when we started our quest. Fighting our way upstream against the stream of rude and oblivious shoppers, we managed to make our way to the ladies’ room located in the center of the mall not too far from the food court.
All I wanted to do was to splash my face and wipe it with a paper towel. Damn those stupid paper towels! Might as well dry your face with sandpaper.
After drying my face, I went outside the bathroom door to wait for Patty. The sea of shoppers continued to swell, and I could feel myself gasping for air. I checked my watch. 7:14PM. Damn! Almost half an hour had already gone by, and we hadn’t even gone anywhere near the CD store! “Patty” I called out. Then I entered the ladies room.
“Patty! Hurry up! We have to get going!”
Silence.
Oh, where is she? I thought. Come on! Hurry up!
This is no time for her stupid pranks.
Taking a quick survey of the stalls, I found no feet anywhere.
My stomach dropped.
My insides turned ice-cold.
Something was wrong. I felt it right away.
“Patricia!” I demanded. “If this is your idea of a joke, I’m not laughing!”
Where is she?
“Come on! Come out! Patricia?”
Silence.
”Patricia!”
Silence.
“Patty? Come on, Patty! It’s me, May!”
One by one, I opened each of the stall doors.
One by one, each one was empty.
            “Patty!”

            “PATTY!!”

            She must have slipped by when I wasn’t paying attention. I should’ve stayed in the ladies’

room with her the whole time.
 
             Don’t panic. Don’t panic. Breathe. You’ll find her, I told myself.

            This is just one of her tricks again. Her stupid friend taught her too well. She’ll be just outside

the door. Yes. That’s it. Just outside the door.

              I ran to the door. “Patty! Patty!” I yelled.

             Patty was nowhere to be found. The sea of people turned into an ocean. My mouth went dry. 

I could feel my heartbeat. The sound of my heart beating drowned out whatever sounds the ocean of 

strangers were creating.

             Look around. 

            Slowly. 

            Make your way around. She’s here. She’s got to be here. Somewhere!

            I began to make my through the unforgiving crowd. All of those people were in their own

little worlds, and no one else mattered to them but themselves. I searched in every direction - the best

I could - mouth drying and heart beating.

            A wave of panic moved through me.

            The Security Desk. I need to go to the Security Desk. I need to report her missing. No. She’s   

not missing. She’s just not here. May, you dumb ass, that’s what “missing” means!! Don’t panic. 

             Please. Don’t panic. She’s here. She’s here somewhere.

            “It’s the most wonderful time of the year…” sang the overhead speaker system.

            The hell it is! Of all songs…

            “With the kids jingle belling…” I heard as I managed my way through the endless waves of 

people.

             “Well, I never!” some woman spat in my direction.

              Well, maybe you should, Sweetheart!  I thought.

             “What a rude little girl!” added another.

             “It’s the most wonderful time…” repeated the singer.

             “Oh, shut up!” I yelled to the singer, as if he could hear me.

             “What did you say?” demanded a man facing me. “Don’t you dare talk to me like that, little 

girl!”

              I had no time for this!

              “And don’t you dare run away from me!”

             “There’ll be parties for hosting…”

              Arriving at the Security Desk, I felt dizzy.

             “Please, sir! You have to help me!” I gasped to the security guard who took notes as I 

explained my situation. He assured me that they would do everything they could to find my sister.

              The overhead singer chimed with glee: “There’ll be scary ghost stories…”  One of those 

ghost stores will be about Patty! May, stop thinking like that. May, get a hold of yourself.  I turned 

and faced the tides of faces heading in every direction.

              No one knew what I was going through.

              And no one cared.

              Mom! I knew I had to call mom and warn her. I reached for my cell phone but couldn’t find 

it anywhere. I must have dropped it in my search for Patty.

             Or someone stole it.

             “It’s the most wonderful time…of…the…year!” I could picture the singer’s smiling face 

surrounding by other smiling faces. Mine was not one of those smiling faces.

              I decided to go back to the bathroom to look.  Maybe she’s been there this whole time. 

              Please, oh, please, oh, please, oh please, oh please!

              I eventually made it back. “Patty! Are you here? It’s May! If you’ve been hiding, it’s all…”

             “May! Is that you?” It was Patty’s voice!

             “YES!” I exhaled.

             That was when the lights went out.

             “Patty! Patty! Where are you?”

             Silence.

             The darkness.

             It was so dark.

             And cold. I could feel the temperature drop. Had there been any light in the bathroom, I 

probably could’ve seen my breath.

              All I could hear was my heartbeat again. It pounded and echoed between my ears. I wanted 

to tell it to shut up so I could listen for my sister. Of all times for there to be a power outage. And 

where the hell were the emergency lights? And where was Security?

               I felt hands rest on either of my shoulders.

               I gasped in response. I wanted to ask if that were Patty, but my mouth was too dry to form 

any words. I felt my breath quicken. This was too tall for Patty. I wanted to ask who the hell they 

were and what did they do with my sister?
              
               I felt chills take over my body as I started to make out The Figure in front of me. Close. So 

close to me. With both of their hands on both of my shoulders. The gentleness of the hands frightened 

me.

               The Figure slowly guided me along the bathroom. That’s it, I told myself. It’s some nice 

person who found Patty. They are going to bring me to her. But where is she? I tried to gasp, but no

air came out.

               The hands reached up and started to caress my hair. They were gentle hands, but shivers 

went down my spine. I felt the rest of my body turn ice cold.

               Oh, why the hell can’t I say anything? Why is it so damn cold?

              “May! Is that you?” I heard Patty cry out to me. “Come and get me! I’m right here!”

               As I started to move, the hands returned to my shoulders and shoved me into the wall. I felt 

the cold, hard concrete slam against my back, and I screamed. One of the hands covered my mouth, 

squeezing my cheeks until they hurt. I winced and wanted to cry. Don’t cry. This is no time to cry. It’s 

time to be strong. It’s time to be strong for Patty. It’s time to strong for you.
            
                Did anyone hear me scream??

                That was when I heard it.

                I heard the sound of a click.

                Is it the sound of the heat and the lights coming back on?

                No.

                Nothing came back on.

               But, I did hear the sound of something. It sounded like the sound of a machine. Something 

whirring. What the hell was that?

                I winced again in pain from the hand on my cheeks as I heard…

               A chainsaw?

               No, not a chainsaw, but some sort of machine. Something with a high-pitched buzzing or 

whirring sound.

              OH, MY GOD! PATTY!

              I heard the sound of the machine. It sounded like it was cutting through something. I heard 

cracking. I heard something splitting. Were they cutting through the stalls?

              What were they cutting through?

I smelled something. Some foul, horrid smell.
            
              And cracking. I heard the sound of something cracking as it was being cut, no, severed, no, 

             MAY, SHUT UP!!

             OH, MY GOD! PATTY! PATTY! WHERE ARE YOU? WHAT ARE THEY DOING TO 

YOU? SOMEONE PLEASE HELP US!!

             That’s when I heard the sound of a small child screaming.

             The sound of the screaming was high-pitched.

             The sound of the screaming blended with the sound of the machine.

             The sound of the screaming and the sound of the machine became one.

             The sound of the screaming and the sound of the machine echoed and pierced my ears like 

nothing I had ever heard before.

              I finally found the strength in me to yell.

              I finally found the strength in me to yell as long and as loud as I could, forcing the hand to

move away from my face.

              The sounds of the buzzing machine and the screaming child and my own screaming became one.


I found myself lying on the floor. I opened my eyes. The lights -- although I welcomed them -- were 

blinding.

I must have passed out.

For how long?

My heart was still racing, and my breathing was still crazy as I found myself lying on the bathroom 

floor staring at the cracks in the ceiling.

I was alone.

What the hell just happened? Who was here? Where’s Patty?

And where the hell IS everyone? No one heard me scream? No one heard that…that sound?

Afraid of what I might find, I still managed to quickly turn over onto my stomach to see what and 

who was there.

I took in a deep breath.

Nothing.

No one.

Not a trace of anything.

Not a trace of anyone.

What’s worse than someone attacking you in the darkness?

Not knowing where they are later when the lights come on.

I looked at my watch. It was almost midnight.

Where the hell IS my mother? Where IS everyone?

I slowly got up and left the restroom.

I looked out into the mall…

…only to find no one and nothing there.

I was sick to my stomach.

This will be over soon, and I’ll forget all about it.

What had been endless waves of nameless strangers was now a vast wasteland.

It was so dark.

And so cold.

With only the emergency lights on, I could see my breath in the darkness.

Remembering where I was, I decided to go to the food court, find a pay phone to call my mother. Or 

the police. Or anyone. Anyone who cared. Do they still have pay phones?

I felt and heard breathing and footsteps along my way to the food court. I decided to step as lightly as 

I could so “they” could not find me.

But, where did they go?

And what did they do with Patty?

Don’t cry, May. Don’t cry. There is a simple and logical explanation to all of this.

But what?

What?

And what did I do to deserve this? All I wanted to do was to treat myself to a new CD player!

And what did Patty do to deserve this? Where IS she?

I made my way to the food court and found the two pay phones near the taco stand. 

Tacos sounded so good right about then. Until I thought of the ground meat. The meat made me think

of the sound I heard earlier, and… the sound of someone grounding Patty’s flesh and bones…

STOP IT, MAY!!

STOP DOING THIS TO YOURSELF!!

I picked up one of the phones, seeing my breath as I did. I dialed.

Nothing.

No dial tone.

No ringing.

No nothing.

Of course.

I tried the other phone.

Same thing.

I wanted to cry. Don’t cry, May. That won’t make things better. It’ll make things worse.

Go to the front of the mall, I told myself. Someone is bound to see me.

And someone is bound to see me along the way, I told myself.

I looked around…

…no one and nothing was there.

I decided to make a break for it. I thought if they catch me, then so be it. I’ll put up a fight and go 

down in history as one strong bitch.

Tiptoeing through the mall, I heard and felt my heartbeat throb between my ears again. Although I 

stepped as quietly as I could, I could hear every step echo and bounce off every wall around me.

In every shadow I saw someone, or something. Nope just another shadow. Damn! It’s dark in here.

And cold. So cold. I could see my breath every inch of the way, though I was careful not to breathe 

too much so as not to let them find me.


I eventually made it to the front door. Which was locked. Of course. How stupid. What if someone

were caught in here? How are they supposed to get out?

Oh, wait.

I’M STUCK HERE, AND I’M TRYING TO GET OUT!

That’s when I saw my mother coming to the door. After exhaling a sigh of relief, I noticed something 

else.

Patty was with her!

But how?

I was too exhausted to feel anger, relief, sadness, and guilt, but I felt all of them anyway.

She was with the security guard I had met earlier. He let her in. I flung myself into my mother’s arms.

“I’m sorry, mom!” I cried, my mouth and lips cracking from being so dry. “I’m so sorry I didn’t pay 

closer attention to Patty!”

“It’s alright, May” my mother began to soothe me. “Patty couldn’t find you in the mall of people, so 

she panicked and ran home.”

“I’m sorry if I scared you,” whimpered Patty.

I didn’t know whether to hug my little sister or hit her, so I did neither.

All of us appeared too tired to do anything.


It was a long and silent drive home. I sat in the front next to my mother who had a vacant stare.

Mom should be happy, so why the distant look? She is going to punish me. She is going to ground me

to not taking better care of my sister whom I didn’t want to come with me in the first place.

I’m alright, I told myself. Patty’s ok. And some day, we’ll laugh over all of this. That crazy night. It’ll 

be such a great story for us to tell everyone. Ha-ha. Look at me. I’m laughing already.

I wanted to say so much to my mother, but I couldn’t find any words. I had already explained to the 

security guard what happened. The sounds I heard. He promised me I must have been sleeping or 

dreaming or unconcious or it was my imagination. Why do adults always tell kids that it’s just our 

imagination?

Maybe he’s right. Maybe I fell down on the floor and dreamt that whole horrible thing.

Wow! We’re home already?


By the time I got to bed, it was close to 2:00 AM.  My mother kissed me goodnight and said that

everything would be alright. We’ll get up in the mornign and have a wonderful Holiday.

“Good night,” was all I could manage. She left the room.

I cried myself to sleep.

In spite of it all, or maybe because of it all, I began to drift off into sleep. 

Then, just as I closed my eyes…

A Voice breathed a melodious tune into my ear:

He knows…when you are sleeping…

I cringed, “I’m dreaming.  Nobody is in the room.”

He knows…when you’re awake…

It’s a dream…” I dragged the blankets over my mouth and nose, “why can’t I just open my eyes to 

prove it to myself that there’s no one here?  I really hate this dream!”

He knows…if you’ve been bad or good…

STOP!” I screamed.

All I could hear was the sound of my own pulsating breath.  A single tear flowed from my eye into

my mouth.  The taste was bitter.

I WAS dreaming…this WAS a dream!

I frantically looked around; tears blurred my vision but it was obvious…

…there was no one and nothing there.

May…get a grip -  there isn’t anyone here, you’re just imagining—

“May! Are you okay?” my parents shouted in unison from their room.

“I’m okay! Just a dream!”

That’s it.

It was all just a dream.

                     *          *          *          *          *

The next morning around 7:00 AM, I woke to bright sunshine beaming through the windows, making

the snow on the ground look brand new thought it snowed several days before.

An envelope on my nightstand caught my attention. I opened the envelope to find a beautifully

decorated card wishing me a Happy Holiday.

I realized it was one of those musical cards because as soon as I opened it, it sang

“It’s the most wonderful time of the year…..”




Copyright 2007 Paul McCarthy & Scott C. Forrest-Allen

Sunday, October 30, 2016

Rock & Roll Trivia Question

What do the following songs share in common?

"The Twist" by Chubby Checker

"Maggie May" by Rod Stewart 

"It's My Party" by Leslie Gore

"Space Oddity" by David Bowie

Tuesday, October 25, 2016

Rock and Roll Trivia Answer 7

All of the songs have sequels.

"Let's Twist Again" by Chubby Checker

"Dim All The Lights" by Donna Summer

"Judy's Turn To Cry" by Leslie Gore

"Major Tom" by Peter Schilling

Saturday, October 15, 2016

Happy Belated Birthday to Lindsey Buckingham and Law and Order!



Released on his birthday (10-3-1981) is Lindsey's first solo recording Law and Order.

This is a bold move on his part considering the commercial backlash of Fleetwood Mac's 1979 Tusk, but he approaches the project wisely and carefully. He is on his own doing his own thing here, but he plays down his trademark idiosyncrasies so as not to scare off the general public.

Peaking at #9 on Billboard's Singles Chart is "Trouble," easily the strongest track. His sexy, breathy vocals are complemented by his intricate guitar work and Mick Fleetwood's signature drumming.

He does a nice if not quirky job with his follow-up release "It Was I," written by Gary S. Paxton. "September Song" by Maxwell Anderson/Kurt Weill and "A Satisfied Mind," by Red Hayes/Jack Rhodes are the other two covers. Otherwise, Lindsey writes his own material and plays most of the instruments. "Satisfied" is a good choice as it sounds autobiographical. Lyrics like "Money can't buy back your youth when you're old/or a friend when you're lonely or a love that's grown cold" already seemed too relevant at the time of release.

Lindsey also shows his playful side with "I'll Tell You Now," which he never does, and "That's How We Do It in L.A." He rhymes "lonely" with "only" but makes it function here.

He introduces us to "Johnny Stew" about whom "everybody's talking about," and celebrates "Love From Here, Love From There" with enthusiasm.

"Shadow of the West" is a beautiful ballad featuring Christine McVie on background vocals.

Although the album stalled at #32 on Billboard's Album Chart, there is enough of his own brand and style to satisfy most of his fans. He and Fleetwood Mac would return with 1982's tepid Mirage, but for now he keeps everything in order.










Wednesday, October 12, 2016

Rock and Roll Trivia Question 6

Q. What is the accomplishment of the phrase "Hold On"?

Rock and Roll Trivia Answer 6

A. "Hold On" is the most charted song title in Billboard history, with 16.

Sunday, October 09, 2016

Rock and Roll Trivia Question 5

Q. What do the following bands have in common?

     Starship

     Fleetwood Mac

     The Human League


Rock and Roll Trivia Answer 5

A. They have both male and female lead vocals.

Saturday, October 08, 2016

Rock and Roll Trivia Question 4

Q. What do the following songs share in common?

     "1,2,3" by Gloria Estefan and the Miami Sound Machine

     "25 Or 6 To 4" by Chicago

     "#9 Dream" by John Lennon


Rock and Roll Trivia Answer 4

A. All of the songs peaked at the number in or within their title.

     "1,2,3" peaked @ #3.

     "25 or 6 To 4" peaked @ #4.

     "#9 Dream" peaked @ #9.


Silence! The Musical @ ARTS AFTER HOURS



The word "silence" is an ironic word to use since the Opening Night crowd was literally roaring with boisterous laughter at this hilariously unapologetic parody of the movie "Silence of the Lambs."

So wrong it's right, Hunter Bell's Book is a clever if not raunchy send-up of all the nuances that made the movie famous. Jon Kaplan and Al Kaplan have created Music and Lyrics equally as as creative and naughty.

Director James Tallach knows how to bring all of this delirium to brilliant life, never overdoing anything, and always keeping the pace brisk and the action moving.

The audience is sold as soon Clarice opens her mouth and the accent ala Jodie Foster from the film shines through. She is played brilliantly by Lisa McDonough who not only looks like Foster but has her mannerisms and facial expressions down perfectly. She is enjoying the role and the audience is right there with her. It is not an easy role, but she makes it look effortless.

Chas Kircher incorporates Sir Anthony Hopkins's icy cold stare and speaking voice perfectly. He has a beautiful voice too, and I only wish I could mention the title of the song that best demonstrates that. ;-)

Buffalo Bill is played with the right amount of sleaze and sex by Jeremiah O'Sullivan. It is a role into which one must be uninhibited, and he is.

Samantha Gambaccini's beautiful Soprano complements her outstanding acting chops (sorry) as Catherine and the Senator.

The ensemble of lambs is also a joy to watch with original and crisp choreography by Nicole Spirito.

Costume designer Bonnie Fitzgerald has done an amazing job of capturing that of the movie.

The impressive and professional lighting, sound, set design, music direction, and projections flesh out (sorry again) an incredibly entertaining and laugh-filled night at the theatre.

Be warned that the language might not make it a family night, but it will make it a wonderful night out with your friends because this particular silence is golden.

artsafterhours.com




Friday, October 07, 2016

Rock and Roll Trivia Question 3

Q. What do the following groups share in common?


     Talk Talk

     Fleetwood Mac

     Big Country


Rock and Roll Trivia Answer 3

A. They all have their group name as a song title or incorporated in a song title they perform.

     "Talk Talk" by Talk Talk

     "Fleetwood Mac (Instrumental)" by Fleetwood Mac

     "In A Big Country" by Big Country


Thursday, October 06, 2016

Rock and Roll Trivia Question 2

Q. What do Lipps Inc. and Pseudo Echo share in common?

Rock and Roll Trivia Answer 2

A. Lipps Inc. and Pseudo Echo are one-hit wonders in the US with the same song "Funkytown,"
     written by Steven Greenberg.

     Lipps Inc. brought the song to #1 in 1980, and Pseduo Echo peaked at #6 in 1986.


Wednesday, October 05, 2016

Rock & Roll Trivia Question 1

What does "b/w" represent?

Rock & Roll Trivia Answer 1

    "Backed With."

     Back in the day when "singles" a.k.a "45s" were a popular method of promoting albums,
     Side One a.k.a the A-side was "backed with" another song, usually from the same album.

Sunday, October 02, 2016

BLONDIE TURNS 40!



Blondie has never been subtle or shy, and their 1976 self-titled debut is just the beginning.

Produced by Richard Gottenhrer for Private Stock Records, he took their punk background and complemented it with a hint of 1950s sensibility. It’s an odd combination on paper but comes to brilliant life on record.

Armed and ready right out of the gate, their first track and first single is “X Offender,” retitled from “Sex Offender” and not a favorite of commercial radio at the time due to its title and subject material. Penned by Gary Valentine and Debbie Harry, this is classic Blondie, and Harry is not afraid to sing controversial lyrics with self-confidence and a sneer.

Harry’s perception of women is showcased in “Little Girl Lies” with the title's play on words and triple meaning (at least). “Rip Her to Shreds,” the LP’s third single, is a more direct approach, and her cold voice is delicious.

Jimmy Destri showcases his love of keyboards and ethereal lyrics in “Look Good in Blue” and “A Shark in Jets Clothing.” The latter is clearly inspired by West Side Story, complete with finger snaps.

Chris Stein contributes “In the Sun” which is ready for any day at the beach. Stein’s “The Attack of the Giant Ants” lets us know that Blondie does not really take themselves or the business too seriously.

Harry and Stein share songwriting talents on the sole ballad and second single “In The Flesh.” It is a beautiful tune, but she sings with irony and distance, letting us know she is not a girl to be messed with.

The unique and undeniable percussion talents of Clem Burke is evident on every song here, and he will continue to get even better. 


Blondie will go through some personal and musical changes, but for now their impressive first album is a great start and a greater sign of things to come.


SPAMALOT @ NORTH SHORE MUSIC THEATRE



It takes an incredible amount of talent and effort to pull off something so inane and ludicrous, but director Billy Sprague, Jr. makes SPAMALOT look like a walk through "a very expensive forest."

SPAMALOT is hardly an easy musical to pull off. Not only are there many physical demands for the cast, but if any of the timing is off, everything can fall as hard as a cow.

There are devoted fans of Monty Python who wish to see everything done correctly. No one will be disappointed.

It helps to be a fan of Monty Python, but it is not necessary here since the ensemble is so joyous, and their energy is infectious. The mere fact that half the audience is singing and reciting along means that everyone is doing their job.

Al Bundonis and Brad Bradley as King Arthur and Patsy work extremely well together, and their relationship is believable and effortless.

All of the knights are hilarious to watch, especially those appearimng in multiple roles. Talk about an ensemble that works "all for one."

Haley Swindal completely embraces the Lady of the Lake with a set of pipes to rival that of any diva.

Mark Nagle's costumes are inspired, colorful, clever, and beautiful.

Billy Sprague, Jr. also provides the lively and original choreography.

Every aspect of this production is top-notch, and it would have to be. If anyone is seeking "the bright side of life," they will find it right now at North Music Theatre, and you not be "all alone."

And don't forget to treat yourself to an outstanding buffet at the Backstage Bistro.
This time provided by Venetian Moon.

www.nsmt.org

http://www.venetianmoon.com



Wednesday, September 21, 2016

FLEETWOOD MAC's MIRAGE - REMASTERED, REISSUED, AND REVISITED!



Fleetwood Mac's 1982 release MIRAGE is an interesting return from the band's ambitious if not overwrought TUSK from 1979.

At first listen it sounds like they are licking their wounds after the commercial backlash of TUSK, and at times they almost play it too safe.

The lead single is Christine McVie's "Hold Me," a smart choice as her contributions are usually anchored in solid songwriting and production values. It's unusually quirky for McVie, but Lindsey Buckingham's crisp tenor complements her trademark honey-coated alto. Her piano licks are catchy and light, and this was the perfect release for that summer. Spending an impressive yet agonizing seven weeks at #4, this is one of the band's most successful tracks.

McVie's "Love In Store," the album's third single, is as light and breezy as a summer afternoon and reached #22. It probably could have benefited from  another go-around in the recording studio to provide with a bit more structure and backbone.

"Only Over You" showcases her signature voice well. Her dreamlike, ethereal approach is a unique approach for her, but the song never quite finds its grounding musically.

She fares better on "Wish You Were Here," which closes the album. It is a genuine Christine McVie ballad that highlights her superior work on the keys, complemented by Mick Fleetwood's solid drumming.

The second single is "Gypsy," a lyrical and musical masterpiece written by Stevie Nicks. Originally intended for her first solo release, producers Richard Dashut, Ken Caillat, and the band find the magic here. The musicology brilliantly brings to life her superior words. Although it stalled at #12, "Gypsy" has become a justified classic.

"Straight Back," demonstrates very well how Nicks can begin a song in one direction but veer off in another and somehow manage to get away with it. At times, however, it sounds less like a group effort and more of a solo one; McVie's backing vocals in the second verse almost sound like an afterthought.

Stevie's other contribution "That's Alright" is an upbeat tune complete with sing-along chorus reminding one of camping in the woods at night. Another run in the studio could have offered the song's country flavor with a bit more spice.

The five songs from Lindsey Buckingham are as pleasantly quirky as he is but seem to lack the angle and experimentation of his previous days, as if he is taking a step back to safer grounds.

The 1950s-inspired, "Oh Diane" was a cute #9 hit in the UK but failed to chart in the US.

His "Book of Love" and "Can't Go Back" are stronger musically than lyrically but don't quite reach the depths they could have.

"Empire State" and "Eyes of the World" provide more of edge with the latter's razor-sharp guitar solo reminding one of "Go Your Own Way."

There is much to celebrate in this album's reissue.

It might not be their strongest effort, but MIRAGE provides a nice balance to Fleetwood Mac's catalog.







Friday, September 16, 2016

SIGNIFICANT OTHER @ SPEAKEASY



Director Paul Daigneault has always been successful at finding the moments within the moments, and his latest production of SIGNIFICANT OTHER by Joshua Harmon is another great addition to his resume.

As audience members we immediately believe that Kiki, Laura, Vanessa, and Jordan are close-knit friends, probably getting closest while in their twenties. Kiki is played with incredible exuberance by Sarah Elizabeth Bedard, and she is the first of the three women to reach a certain age and decide - as if overnight - it is time to get married.

She is followed by Vanessa, portrayed with sharp wit and somber undertones by Kris Sidberry. Then there is Laura played by Jordan Clark who discovers the many layers in this complex person.

Harmon's script is hilarious right out of the gate, but as with most comedies, its humor is anchored in reality. The reality here is the harsh reminder that even the most non-traditional personalities find themselves yearning for a more conventional life. There is nothing wrong with that, but it is a dilemma for male pal Jordan Berman who appears he would have been happier if they had all remained single and/or married each other. This is not out of immaturity; quite the opposite. He even defends himself in several conversations that are both painfully realistic and realistically painful.

Which brings us to Greg Maraio who plays our lead. Greg made an impressive debut @ SpeakEasy in Necessary Monsters followed by an even more impressive performance in Casa Valentina, but it was his performance in a recent staged reading when this pundit literally sat up and took notice. It was at that moment when it was obvious that something extraordinary was happening; Greg's natural talent is nothing shy of a marvel. He is very comfortable playing characters like Jordan who are uncomfortable with themselves, but he has the ability to display every emotion and character arc effortlessly while being mature and professional enough not to take over the stage, even though Jordan can. He doesn't act like Jordan; he becomes enveloped by Jordan. With good looks reminding one of Jonathan Graff, it is baffling to know that this is just the beginning for Greg. His talent is borderline ridiculous.

He shares the stage with Kathy St. George who is both lovely and lovable as his grandmother, and her comic timing has always been impeccable.

Eddie Shields and Jared Troilo have the difficult task of floating in and out of multiple characters, but they do so with such credibility and ease.

Tyler Kinney's incredible costume design is one of the most subtle yet deliberant that one has seen in years.

There are reasons why the set by Christopher and Justin Swader is monochromatic when focusing on Jordan and his friends, but slightly colorful and filled - if not slightly cramped - when addressing the grandmother. The choices are very sophisticated.

A shout out also has to be presented to the lighting and sound design who fill out this first-rate production.

Even though SIGNIFICANT OTHER is a comedy, it does force one to think about life and choices, specifically when it comes to friends and lovers. Sometimes we don't find the answer, but you need to find yourself purchasing tickets and share this experience.

http://www.speakeasystage.com




Random Thought 105

If you are seeing too many red lights, SWITCH LANES!!

Sunday, August 28, 2016

Andrea's Restaurant, Rhode Island



Anchored in College Hill, RI is Andrea's, a welcoming, Greek-American Restaurant.

Andrea's is surrounded by lively activity including Brown University and the Rhode Island School of Design. Donald, our server, was very professional and attentive as well as quite knowledgeable of the selections.

The menu features dinners to satisfy everyone's palate, and I chose the swordfish fillet on a bed of rice pilaf. It was perfectly cooked and seasoned, and I was able to cut it with my fork.

Donald recommended an Italian white wine that complemented the meal to my satisfaction.

For a warm summer evening, my dessert was a Key Lime Pie, fortunately larger-portioned than most restaurants. All of the plates at Andrea's are generous.

Please visit andreasri.com for further information,
and then please visit Andreas's on 268 Thayer Street, Providence, RI.

andreasri.com

Monday, August 22, 2016

SINGIN' IN THE RAIN @ NSMT





It doesn't matter what type of week, day, or hour you had leading up to you seeing SINGIN' IN THE RAIN, the latest musical at North Shore Music Theatre. All of your worries will be literally washed away instantly.

This is because Director/Choreographer Richard Stafford has created an easy-going production as light and refreshing as a summer rain. Everything happens so effortlessly, and the audience is invited right away to the party.

North Shore audiences will embrace Mark Evans, direct form the West End in England. His Don Lockwood is handsome and charming, but he knows how to handle physical humor as well. His mugging in the films is hilarious, and he and Sean McGibbon as Cosmo Brown work brilliantly together.

McGibbon plays the slapstick humor and wise remarks in an off-the-cuff manner. His "Make 'Em Laugh" is organic and spontaneous, which is what makes it funny.

The beautiful Emily Stockdale perfectly sustains Lina Lamont's infamous voice for over two hours. There are not many places in the Book for an audience to find empathy for the character, but she is such a gifted actress that she finds them on her own. Most Linas are portrayed as a runaway train, but thankfully not here. Stockdale gargles "What's Wrong With Me" until the answer is clear.

Tessa Grady is a lovely, gorgeous Kathy Selden who takes audience's breaths away during "Lucky Star" and "Would You?" She portrays the character with grace and finesse.

Credit must also be given to Kristyn Pope, the "Girl in the Green Dress," a part immortalized in the movie by Cyd Charisse. Kristyn's legs rival those of Cyd's, an accomplishment that should make her proud, and her sexy, sultry dance is joyous.

The lighting and set designs perfectly capture the feel of the 1920s as do the exquisite costumes.

Stafford's graceful, elegant choreography reminds one of Fred and Ginger.

This is a case where making less of a "splash" creates a more stylized, effective experience. Audiences will walk away from an incredibly impressive production with smiles on their faces.


nsmt.org




Wednesday, August 10, 2016

35 Years of BELLA DONNA!

   




     BELLA DONNA by Fleetwood Mac's Stevie Nicks is as perfect as it gets when it comes to a debut solo record.

     Anyone who remembers Stevie's arrival six years prior with the intense "Rhiannon (Will You Ever Win)," might be surprised here as she is remarkably mellow. However, time will tell that Stevie has always found intensity in the quieter moments of life. This is where her real passion lies. Past hits such as "Landslide" and "Sara" with her band confirm this.

     The title track introduces fans to Stevie's love for finding structure with Stream-of-Consciousness.
She eloquently beckons "come in . . . out of the darkness."

     Her strong talents for storytelling are emphasized in "The Highwayman" and "After The Glitter Fades," which reached #32 on the Billboard Chart.

     She showcases her mystical, magical side in "Kind of Woman" and "How Still My Love," a concert favorite in the early years.

     "Think About It" is the soft ballad dedicated to "Christine" where she instructs her to "take on the situation but not the torment/now you know it's not as bad as it seems."

     "Outside the Rain" allows Stevie to be optimistically melancholy as only she can be.

     The first single is "Stop Draggin' My Heart Around," a #3 rock hit with Tom Petty and the Heartbreakers. Her love of duets is evident here, and she is quite comfortable with herself.

     The other duet is the beautiful, country flavored "Leather and Lace" (#6) with Don Henley (the Eagles) who also provides harmonies on "The Highwayman."

    Bella Donna is not complete unless we mention the powerhouse "Edge of Seventeen (Just Like the White Winged Dove)." It peaked at #11 and is a staple at all of her shows. This is where she demonstrates her passionate intensity in a rock song where Waddy Wachtel's famous guitar riff kicks in immediately and never lets up.

     This album also introduces Stevie's backing vocalists Lori Perry and Sharon Celani who still record and tour with her.

     Subsequent solo albums will reveal further layers of Stevie Nicks, but for now, we are in love with, and we are ready to sail.

     "It's just a feeling. Sort of captures your soul."

     Stevie Nicks has captured ours.













   




Tuesday, July 05, 2016

The Monkees Good Times



Everything you have heard is true -- the latest release by the indefatigable Monkees is as retro as it is contemporary, and the results are refreshing and satisfying!

Time has been kind to Micky Dolenz's honey-coated tenor, evident on the lead single "She Makes Me Smile." He still knows how to sing a lyric and sound like he is having a blast doing it. The second single "She Brings the Summer" continues the fun and remind's one of the band's best pop in their early years. The songs sound as fresh as the inaugural "Last Train to Clarksville."

Michael Nesmith contributes a tender, heart-felt ballad "I Know What I Know," sounding like it could be dedicated to his fellow band mates.

"Little Girl" showcases Peter Tork's underrated songwriting talents and vocal chops and is a fine contribution to his own catalog. 

The almost-gone-but-not-forgotten "Love to Love" is a classy tribute to Davy Jones. Originally recorded circa 1967, it was a sign of what could have been at the time but fits right in here.

"Me & Magdalena," the CD's third release is reminiscent of the "other" side of the band heard more in their later, non-commercial years. It is a bittersweet ballad with genuine orchestrations. 

In 1969 Davy sang "Looking For The Good Times." 
Well, they have arrived, along with some well-deserved and long-overdue respect!


A



Tuesday, June 28, 2016

Wednesday, June 15, 2016

Monday, April 04, 2016

Random Thought 102

On social media, your secrets are safe --

with everyone.

Sunday, April 03, 2016

SPEECH AND DEBATE by Bad Habit Productions

Director Rebecca Bradshaw knows how to take Stephen Karam's (Broadway's THE HUMANS) acidic text and bring them to witty, acerbic life in this outstanding production by
Bad Habit Productions.

Evan Vihlen immediately invites us into Howie's lonely world via his facial expressions and body language. His internal thought process is both consistent and credible.

Ross Magnant portrays the conflicted Soloman with both natural ease and intensity. Magnet also knows how to "vomit" quite well!

Katie Elinoff encompasses the complex role of Diwata with proper balance of flair and internal struggle. Her composure and attention to detail are to be noted.

Veronica Anastasio Wiseman's portrayals of teacher and reporter are anchored in reality, and she suggests that these two characters might not be as grounded as they would like themselves to believe.

Costume Designer Amanda Ostrow provides proper use of color and fabric for each personality, and Scenic Designer Megan Kinneen's adaptation of the space is both creative and professional.

Both script and production will offer much to talk about.

badhabitproductions.org






Friday, April 01, 2016

Random Thought 101

It takes a lot of energy

to suppress one's energy.

Tuesday, March 29, 2016

Tuesday, March 01, 2016

Random Thought 99

If you are not going to own the room,

then don't enter it!

- Andrea Fusco