Sunday, February 13, 2022

PEOPLE, PLACES, & THINGS AT SPEAKEASY STAGE

PEOPLE, PLACES, & THINGS AT SpeakEasy Stage Company is one of the most challenging and one of the most important productions one can experience.
 
The incomparable Marianna Bassham is at her most vulnerable, demonstrating all sides and angles of a woman struggling with both addiction and her determined desire to feel better.

Director David R. Gammons is unafraid to showcase his talented cast and brilliant set design to invite the audience into the mind of a person suffering. 
 
It does not matter who we are; we can all relate to the main character on some level. 
 
This is because everything out of her mouth is the truth. 
 
Let us hope that Duncan Macmillan's outstanding script reminds us that people facing this healing process deserve patience and understanding and that they should never be reduced to a "noun." 
 
speakeasystage.com
 

 

Tuesday, February 01, 2022

REMEMBERING MICHAEL NESMITH

Michael Nesmith was taken away from us too soon, and here is a small sampling of his unique and creative music we can still enjoy.

 


       “Papa Gene’s Blues”

       (from The Monkees, 1966)

 

From the very beginning, Michael is proud of his musical background and is pleased to share songwriting credits among Gerry Goffin/Carole King, Tommy Boyce/Bobby Hart, and Neil Diamond. This contribution blends in well with the other soft pop/rock tunes for their debut, but his country influence stands out. His catchy lyrics are perfectly captured by his easy-going vocals and guitar licks.

 

I have no more than I did before
But now I've got all that I need
For I love you, and I know you love me

 

Words to live by, indeed! The song is so much fun, one wants to pick up a washboard and play along! Also from the start, Michael lets us know he will have fun naming songs whose titles are not anywhere to be found! Such is the case here. 

 

 


 "Tapioca Tundra"

(from The Birds, The Bees, & The Monkees, 1968)

 

Released as the B-side to the #3 hit "Vallerie," this song peaked on its own at #34. When Michael wasn't sharing his love of Country Rock, he was sharing his esoteric and thoughtful lyrics, as heard here.

 

Midnight looks right standing more at ease
Silhouettes and figures stay
Close to what he had to say
And one more time the faded dream
Is saddened by the news
It cannot be a part of me
For not it's a part of you

 

According to Micheal, "the song itself is about the moment when the performer realizes that the songs he/she sings belong to the people — the fans and the crowds — that love the song, and the performer is only there in service to that relationship. " (monkeeslivealmanac.com)

 

 


 

       “Circle Sky”

(from the HEAD Original Motion Picture Soundtrack, 1968)

 

At this point in his career, Michael is getting more comfortable with delivering darker, more experimental music and lyrics. The strength of this song ironically lies in the fact that his vocals are deliberately in the background with the aggressive guitar riffs almost overpowering him. Making it more an effort for the listener to grab the lyrics makes them more effective.

 

It’s a very extraordinary scene
To those who don't understand
But what you have seen you must believe
If you can
If you can

 

In the movie, scenes of the band are edited among shots of the war and fans screaming, and the viewer never quite knows if the fans are screaming in hysteria at the Monkees performing or screaming in horror at the images of the war. Both, perhaps? 

 

 

 

 


  

“Listen to the Band”

(from The Monkees Present Micky, Davy, Michael, 1969)

 

At this point for the Monkees, they have full control over their songs, both musically and lyrically, Michael is only too happy to bring country rock to the mainstream.  Michael’s easy-flowing voice is interspersed with “the band” – an equally enjoyable brass section.

 

Hey, hey, mercy woman plays a song, and no one listens,
I need help I'm falling again.

 

Regretfully, they were not many people listening to this song at the time, which was a shame. It was the first Monkees single penned by Michael, but the diversion from their previous material might have been a reason why it stalled it at #63 on the Billboard Hot 100. The boys would eventually include it in their live set pieces to, yes, introduce their back-up musicians. In the hands of lesser rock bands, this would have been obvious and trite, but the Monkees made it sincere and professional.

 

  

“Good Clean Fun”

(from The Monkees Present Micky, Davy, Michael, 1969)

 

Michael wants to write about good clean fun, and so he does, but he just doesn’t find it necessary to mention the title anywhere in the song! Listeners are treated to full-blown country enjoyment here, complete with banjo and his signature effortless voice. 

 

But now my path heads home
And your patient time alone
Has brought me even closer to you, dear

 

Abandoning any musical reference to pop music, Michel lets it be known he is now a country artist. Unfortunately, the song would peak at # 82 but would later be released in “Best Of” compilations.

 

 

Thank you, Michael, for sharing your multiple gifts with us and for letting it be an honor to

listen to the band.