Discussions and essays about the world of theatre! By Scott C. Forrest-Allen
Sunday, February 13, 2022
PEOPLE, PLACES, & THINGS AT SPEAKEASY STAGE
Tuesday, February 01, 2022
REMEMBERING MICHAEL NESMITH
Michael Nesmith was taken away from us too soon, and here is a small sampling of his unique and creative music we can still enjoy.
“Papa Gene’s Blues”
(from The Monkees, 1966)
From the very beginning, Michael is proud of his musical background and is pleased to share songwriting credits among Gerry Goffin/Carole King, Tommy Boyce/Bobby Hart, and Neil Diamond. This contribution blends in well with the other soft pop/rock tunes for their debut, but his country influence stands out. His catchy lyrics are perfectly captured by his easy-going vocals and guitar licks.
I have no more than I did before
But now I've got all that I need
For I love you, and I know you love me
Words to live by, indeed! The song is so much fun, one wants to pick up a washboard and play along! Also from the start, Michael lets us know he will have fun naming songs whose titles are not anywhere to be found! Such is the case here.
"Tapioca Tundra"
(from The Birds, The Bees, & The Monkees, 1968)
Released as the B-side to the #3 hit "Vallerie," this song peaked on its own at #34. When Michael wasn't sharing his love of Country Rock, he was sharing his esoteric and thoughtful lyrics, as heard here.
Silhouettes and figures stay
Close to what he had to say
And one more time the faded dream
Is saddened by the news
It cannot be a part of me
For not it's a part of you
According to Micheal, "the song itself is about the moment when the performer realizes that the songs he/she sings belong to the people — the fans and the crowds — that love the song, and the performer is only there in service to that relationship. " (monkeeslivealmanac.com)
“Circle Sky”
(from the HEAD Original Motion Picture Soundtrack, 1968)
At this point in his career, Michael is getting more comfortable with delivering darker, more experimental music and lyrics. The strength of this song ironically lies in the fact that his vocals are deliberately in the background with the aggressive guitar riffs almost overpowering him. Making it more an effort for the listener to grab the lyrics makes them more effective.
It’s a very extraordinary scene
To those who don't understand
But what you have seen you must believe
If you can
If you can
In the movie, scenes of the band are edited among shots of the war and fans screaming, and the viewer never quite knows if the fans are screaming in hysteria at the Monkees performing or screaming in horror at the images of the war. Both, perhaps?
“Listen to the Band”
(from The Monkees Present Micky, Davy, Michael, 1969)
At this point for the Monkees, they have full control over their songs, both musically and lyrically, Michael is only too happy to bring country rock to the mainstream. Michael’s easy-flowing voice is interspersed with “the band” – an equally enjoyable brass section.
Hey, hey, mercy woman plays a song,
and no one listens,
I need help I'm falling again.
Regretfully, they were not many people listening to this song at the time, which was a shame. It was the first Monkees single penned by Michael, but the diversion from their previous material might have been a reason why it stalled it at #63 on the Billboard Hot 100. The boys would eventually include it in their live set pieces to, yes, introduce their back-up musicians. In the hands of lesser rock bands, this would have been obvious and trite, but the Monkees made it sincere and professional.
“Good Clean Fun”
(from The Monkees Present Micky, Davy, Michael, 1969)
Michael wants to write about good clean fun, and so he does, but he just doesn’t find it necessary to mention the title anywhere in the song! Listeners are treated to full-blown country enjoyment here, complete with banjo and his signature effortless voice.
But now my path heads home
And your patient time alone
Has brought me even closer to you, dear
Abandoning any musical reference to pop music, Michel lets it be known he is now a country artist. Unfortunately, the song would peak at # 82 but would later be released in “Best Of” compilations.
Thank you, Michael, for sharing your multiple gifts with us and for letting it be an honor to
listen to the band.
Friday, June 04, 2021
When Did It Become Okay?
When did it become okay
To move out and move away?
When did “I remember you when”
Get replaced by “I haven’t seen you since”?
I saw you both smiling
And it broke my heart in half
It will be last time I see you together
The last time you both laugh
Birthdays and Graduations
First Houses and Apartments
Weddings and Divorces
First Jobs and Retirement
Those who move on are seldom sad
That is for those who are left behind
Trying to keep up and stay in touch
Desperately wishing for ways to rewind
The clock on the wall waits for nobody
Everyone feels like they are on their own
When they wake up and realize one day
That the life they’re living is unknown
Relationships can be difficult
Relationships can be hard
High School becomes Reunions
With our names reduced to a card
When did it become okay?
Copyright 2021 Scott C. Forrest-Allen
Sunday, April 25, 2021
Before
When I was young and all-too wise
I knew exactly what I would do
"I will grow up quickly and become a success
Like
my parents have always wanted me to"
During middle school I threw away
All the toys from my childhood
I had no need for them anymore
They would never do me any good
I knew it was my time
My time “before”
Before graduation and college
I couldn’t wait anymore
So I ignored my friends and took every job
And every internship as well
So I could hit the ground running before everyone
And made money and worked like hell
And I loved every second of it
As I welcomed the “Daily Grind”
I worked and was the head of my class
As I left my friends behind
It was my time
My time “before”
Before spouses and settling down
I would never be poor
As I look at these Diplomas they make me proud
Of all of my success
And my self-determination and self-worth
And never settling for less
Now I look at these papers, and they make me sad
But I have no one to blame but myself
Because I look back at my childhood days
And all I see are empty shelves
This is my reward
My reward “before”
Before growing up and moving on
Loneliness and more
This is my success
My success “before”
But I have nothing
Before the “before.”
Copyright 2019 Scott C. Forrest-Allen
Saturday, April 24, 2021
Saturday, January 09, 2021
Tuesday, December 15, 2020
Top Productions!
Tuesday, October 13, 2020
Home In The Mountains
Leaving is always difficult
With any luck it will be
It means we had fun
And enjoyed the company
Knowing is just as hard
The long wait in between visits
Wondering where we will be
And how much we miss it
Having is equally comforting
It is always there awaiting our returns
The refreshing constant in our lives
As life around us scorches and burns
Loving is so rewarding
Remembering to be thankful
Always something for exploring
Remembering to be grateful.
Copyright Scott C. Forrest-Allen
Thursday, October 08, 2020
Twelve Things To Know About Fleetwood Mac's TIME
Unfortunately, both critics and fans dismissed it upon arrival. As its 25th Anniversary arrives, let’s take a look at this overlooked gem.
1. Christine McVie needed to be persuaded by Warner Brothers to record her vocal tracks for Time because she had left Fleetwood Mac in 1990. She did not wish to participate but recorded her vocals apart from the band with session guitarist Michael Thompson. Billy Burnette provided guitar leads for the album’s only single “I Do.” Even though she contributed this and four other songs to the album, Christine did not join the tour to support its release.
2. Since 1975’s eponymous LP, this is the first and only Fleetwood Mac studio album not to include Stevie Nicks. She also left FM after 1990’s Behind the Mask to focus on her solo career. Her decision resulted in the eloquent and underrated Street Angel in 1994. A tour and two singles – “Maybe Love Will Change Your Mind” and “Blue Denim” -- followed.
3. “Nights In Estoril was co-written by Christine and her then husband Eddy Quintela about their vacation in Estoril, Portugal. Since 1987, he and Christine penned many hits for FM, including Tango in the Night’s “Little Lies” which had peaked at #4 in 1987.
4. Fellow members Bekka Bramlett and Billy Burnette were also a part of Mick Fleetwood’s other band The Zoo. Billy had been a part of FM since the 1987 tour to support Tango in the Night.
5. Dave Mason was recruited for Time and was a member of the rock group Traffic. As a successful solo artist, his biggest hits were “Only You Know and I Know” (1970) and “We Just Disagree” (1977).
6. Dave Mason had toured with Bekka Bramlett’s mom, Bonnie Bramlett, who was part of the singing duo known as Delaney & Bonnie.
7. Dave Mason’s contribution “Blow by Blow” was performed during the album’s tour, but this was not its debut. The song was featured on the1994 album Gloryland World Cup USA 94.
8. This is only the second time Mick Fleetwood would be featured on lead vocals. The other song was the B-side to 1990’s “In The Back of My Mind.” That song is called “Lizard People” and was co-written by Mick and Peter Bardens. Peter was one of the founding members of the British group Camel and recorded eleven solo albums. In 2001, Mick and John McVie joined Peter for a concert in Los Angeles.
9. Mick co-wrote and speaks/sings “These Strange Times” which pays tribute to former Fleetwood Mac members and founding member Peter Green. The song contains the lyrics “God is now here.” This phrase made its first appearance in 1983 on the inner sleeve of the I’m Not Me LP recorded by The Zoo.
10. Christine’s “All Over Again” needed to wait until 2018 before it made its first live appearance. Christine and Stevie shared the lead vocals during the An Evening With Fleetwood Mac tour, but it was eventually removed from the set list.
11. The album was released on 10/10, and advertisements for watches usually display the time 10:10.
12. The album is not as bad as you expect or want it to be!
Fleetwood Mac has been good to Time, and Time has been good to Fleetwood Mac.
Tuesday, October 06, 2020
One Hell of a Year
We hate you for your virus
We hate you for your violence
We hate your constant sickness
We hate your social distance
You took away our hugs
You took away our handshakes
We cannot have reunions
We cannot have birthdays
Sharks and jellyfish
Closed all of our beaches
You removed all of the resources
You never gave to our teachers
We’re all wearing masks
We’re all moving away
When we’re burning your calendars
Will be our happy day
All of us are inside
All of us are stuck
Let me put it this way --
You suck
You suck.
Copyright Scott C. Forrest-Allen
Friday, July 10, 2020
"Swing Set"
Every summer as soon as school let out, Pete’s father would be in the backyard putting together Swing Set for Pete and his friends. His father made sure everything was safe and secure in the ground.
There were two single swings, and a swing in which two or more could sit facing each other and rock back and forth.
And the big slide!
As soon as Swing Set was ready, Pete’s father would call, “Okay, son, it’s ready!”
to Pete and his friends who were waiting impatiently inside.
Pete’s father could barely get the announcement out when Pete and his friends would charge out of the house and dash to Swing Set where they took turns swinging, sliding, laughing, and joking.
It would make Pete’s mother nervous to see Pete swinging so high, but Pete never had any fear. The higher he swung, the more he believed Swing Set would protect him.
“Don’t swing so high,” she would warn.
“I love this swing set,” Pete shared with his friends one day. “I'm already looking forward to us returning in the morning, but I’ll be sad when we go back to school because we won’t be able to enjoy it as much.”
“You’re the only person we know that can live in the past, present, and future all at the same time,” one of his friends remarked, starting laughter among the gang, including Pete, even though this comment was at his expense. He laughed because it was true.
It was true for Swing Set too. He would feel sad once school started again because Pete and his friends would play on him less and less. It would be occasional afternoons, and then eventually the weekends only.
Then that awful day would come when the weather would start getting cold, and Pete’s father would be forced to take apart Swing Set and store him in the garage until the next summer.
But, Swing Set didn’t mind. Like Pete, he looked forward to school letting out again, so he could be taken out of the garage, put together, and give Pete and his friends joy again.
This went on for some time. One summer after another.
After every play session, Pete would make it a point to look at Swing Set and whisper, “thank you.”
Then came the day when Swing Set thought Pete’s father would arrive in the garage to take him out and put him together in the yard again.
But one day turned into another, and Swing Set became confused and concerned as to what was taking so long.
One year turned into another, and Swing Set realized something.
Pete’s father was not putting him together again.
What have I done wrong? Swing Set cried.
The more Swing Set cried, the more he rusted.
The more Swing Set rusted, the more he cried.
Finally, he heard Pete’s father come into the garage.
Oh boy! They haven’t forgotten about me!
“Now, where did I leave my lucky hammer?” Pete’s father asked aloud, as if the stuff in the garage could answer him. “Well, I’ll be. Pete’s old swing set. Oh, how I loved putting it together and seeing Pete enjoying it with his friends. Well, too bad they all outgrew it. Not sure what to do with it now. I’ll think of something someday. Maybe I’ll shine it up and sell it a yard sale. Or give it away. Oh! There’s my hammer.”
Pete’s father exited the garage and closed the door.
Swing Set realized what was going on.
He didn’t want to face it.
The more he cried, the more he rusted.
The more he rusted, the more he cried.
After a long, long time came another day when Swing Set heard Pete’s father’s voice again.
“Well, just look at you, you rusty old thing. I know exactly what to do with you."
This is it. This is how it ends. Nothing ever lasts forever. I will remember the great times we shared together, Pete. He’s going to shine me and get rid of me.
Swing Set could feel Pete’s father putting him back together again. He felt the familiar parts being assembled to one another like so long, long ago.
He could feel himself being painted and polished. He could feel new attachments and plastic things being secured in several places.
Eventually, he saw Pete’s father stand in front of him. He looked much, much older, but Swing Set recognized that face anywhere.
“Oh, Pete!” his father called.
To his surprise and delight, Swing Set saw Pete leave the house and enter the backyard. He, too, looked much, much older, but Swing Set recognized that face anywhere.
“Wow!” Pete exclaimed. “Just look at it! I can’t believe you kept it all these years! How can I thank you?”
“You and Pete Jr. stay for dinner, okay?”
“Okay!”
Pete Jr.?
Just then, Pete turned to the house and called, “Okay, son, it’s ready!” to his son and his friends who were waiting impatiently inside.
Pete could barely get the announcement out when his son and his friends charged out of the house and dashed to Swing Set where they took turns swinging, sliding, laughing, and joking.
It made Pete nervous to see Pete Jr. swinging so high, but Pete Jr. never had any fear. The higher he swung, the more he believed Swing Set would protect him.
“Don’t swing so high son,” warned Pete.
At that, Pete’s father roared with laughter.
“What’s so funny?”
“You sound just like your mother when you were a kid!”
Pete joined in on the laughter even though the comment was at his expense. He laughed because it was true.
Pete Jr. witnessed his father and grandfather laughing, and even though he hadn’t heard what was said, he joined in on the laughter.
Father and son.
Father and son.
And Swing Set.
Eventually, it was time for dinner, and Pete announced that his son and his friends could come back in the morning to play on the swing set.
Pete Jr.’s friends expressed their gratitude and promised to return.
“Ready for dinner, Pete?”
“Yes, dad. I’ll be there in just a minute.”
“Okay.”
As soon as everyone was in the house, Pete turned to Swing Set.
He whispered, “thank you.”
Copyright Scott C. Forrest-Allen